Art Break Wednesday: Blown Away by a Book Cover

 

It’s my privilege to write a monthly poetry column over at my friend Janice Hardy’s terrific blog for fiction writers, THE OTHER SIDE OF THE STORY.  My offering over there today harkens back to Notan (positive/negative shapes and such) as a simple way to think about characters in a story.  As an example, I borrowed characters from Margarita Engle’s wonderful book, Hurricane Dancers (Henry Holt and Company, 2011).

hurricane dancers cover

jacket illustration ©Cathie Bleck

I think its cover is, like the writing, just exquisite.  The jacket illustration was done by Cathie Bleck.  (The Artist’s Statement on her website sings to me!)  The jacket designers were Rich Deas and Elizabeth Tardiff.

The book has six parts, each comprised of individual poems told in five voices. I love the visual opening each of these as well:

Wild Sea interior hurricane dancers

I don’t know what the lettering/font is called, but I’m also in love with the letters.  Looks to me like blackletter with curlicues and a Western twang (with the “points” peeking out along the stems of the letters.)  Very dynamic.

For a treat, click here to see a video of cover artist Cathie Bleck’s artistic process using kaolin clay.  Many of her incredible paintings as well as some studies and sketchbooks are posted on her site as well.  Enjoy!

 

Art Break Wednesday: Gotta Love Gutenberg

 

Typography – ahhh, I even love the sound of the word, and the way it looks in print.  Last year I bought a couple-few books on type to add to my bookshelves and to my wee bit of knowledge about this fascinating subject.

Gutenberg to OPENTYPE cover 2013 05 29

One I’m enjoying working my way through is From Gutenberg to OPENTYPE – An Illustrated History of Type from the Earliest Letterforms to the Latest Digital Fonts by Robin Dodd (Hartley & Marks, 2006).  The author is a London design consultant and lecturer specializing in design history and typographic theory.  Full of lively illustrations and examples, it’s an approachable, fun treatment of a big subject.

In researching a poem I’m working on, I found it necessary to revisit Mr. Gutenberg.

Johannes Gutenberg was born around or before 1400 in the German town of Mainz, where he died in 1468.  Between 1440 and 1450, he produced the first-known book printed from movable metal types.  Claims have been made that other inventors in other countries beat him to it, but it’s generally accepted that Gutenberg’s books were the first made this way.

operating the printing press

Gutenberg’s achievement was to invent a system of mass production, enabling books to be produced in greater numbers and more economically,” Dodd writes.  “His invention played a fundamental role in the development of the modern world, and was the single most important factor in the spread of knowledge and the move toward universal literacy in the West.”

Gutenberg Bible Library of Congress

His masterpiece was his Bible (completed around 1455), in the Latin “Vulgate” translation, embodying two 42-line columns on each page.  Called The Mazarin Bible, its 1200-some pages were printed in two volumes. Dodd writes that about 180 copies were printed, and about 48 survive.

I didn’t realize that Gutenberg sought to imitate the handwritten nature of original manuscripts.

His typeface was based on Textura, the formal script of northern Germany,” Dodd writes.  “Research suggests that to imitate the inconsistencies and abbreviations that appear in a handwritten manuscript, Gutenberg must have cast at least 300 characters in order to provide slight variations of letterform throughout the text.”

Fascinating, no? And somehow it makes me admire the process all the more.

The Library of Congress website says of our special guest today: “Gutenberg’s invention of the mechanical printing press made it possible for the accumulated knowledge of the human race to become the common property of every person who knew how to read—an immense forward step in the emancipation of the human mind.”

As you go about your day and come across the printed word, give a little nod of thanks to our old friend Gutenberg.  It would be impossible to imagine our modern world without him.

 

Art Break Wednesday – Okay, This Post has My Kids in it…

 

Greetings!  I hope your May is blossoming with creative inspiration.  On the home front, we’ve been travelling  – to Beaufort, S. C. Beaufort was just voted the “happiest seaside town”  by Coastal Living Magazine.  Home to several thriving art galleries, it’s also on the list of Best 100 Art Towns in America.

Sibling Revelry - Seth and Morgan in Beaufort, SC.

Sibling Revelry – Seth and Morgan in Beaufort, SC.

Now that we’re back home, we’re gearing up for Seth’s graduation from high school this weekend.  For today’s “something to look at,” here’s a project he recently completed for his independent study art class this year.  It’s an etching, hand-colored with watercolor:

art © Seth Black

© 2013 Seth Black. All rights reserved. Etching with watercolor.

Morgan will be getting her hands messy this summer, too – fulfilling her art education requirements for her elementary education major.  She’s quite crafty, so I’ll be able to share something she whips up here soon I’m sure!

Wishing you creative inspiration wherever life finds you this May, and generous folks to share it with.

 

 

 

Art Break Wednesday: Uri Shulevitz’s WRITING WITH PICTURES

images WRITING WITH PICTURES cover

If I had to clear out my shelves and give up all but one book about illustrating children’s books, I’d keep Uri Shulevitz’s classic, WRITING WITH PICTURES – How to Write and Illustrate Children’s Books (Watson-Guptill Publications).  I have the bona fide 1985 version, which includes chapters on color separation – a process unknown to young illustrators today, I’m sure!

I revisited this wonderful volume this past week because I had to list a favorite quote for a blog interview appearing today at Check It Out.  I snuck in two quotes – one on haiku writing and one for art, the Uri Shulevitz quote I have literally written on my wall above my drawing table:

Give up the idea of the perfect flawless picture, and aim for one that is alive instead.

The book contains hundreds of examples of illustration that is alive, mostly Shulevitz’s own work but also work by other artists, including many classics.  Shulevitz won the Caldecott medal in 1969 for Arthur Ransome’s retelling of THE FOOL AND HIS FLYING SHIP and a Caldecott honor in 1980 for THE TREASURE.  Born in 1935 in Warsaw, the young Shulevitz and his family fled from Poland during World War II.  He lived in France and Israel before settling in New York to work and teach.

WRITING WITH PICTURES delves into what makes a story with a complete action as well as the finer points of drawing technique, style, and composition.  It includes the best examples I know about creating a storyboard and dummy.  For a taste, here is an excerpt from the book as tutorial on the site, Mighty Art Demos, which says the tutorial is reproduced with permission from the publisher.   While this is a pretty thorough excerpt, I’d still encourage anyone to purchase the book, chock-full of clear explanations and insights about the process from beginning to end.  Here are a few more quotes, to give you an idea:

A picture book is closer to theater and film, silent films in particular, than to other kinds of books.  It is a unique type of book.  (p. 16)

For a story to succeed, the reader must be engrossed in each successive moment of the story and must care about what happens next, or at least be curious enough to want to know. (p. 41)

Outstanding illustrations are effective on at least two levels.  First, they tell us the story, portraying the subject matter accurately; and second, the abstract pattern of the picture is alive in its own right, with an underlying geometric structure that gives character and strength to the forms. (p. 129)

Great stuff, no?  I have other books on illustration that I treasure, but this one captured me early on and still rings true.  Do you have any favorites?

Art Break Wednesday – Drawing, Writing, and Blind Contours

 

 

Want to strengthen your drawing AND maybe your writing, too?  Try blind contours!

Want to strengthen your drawing AND maybe your writing, too? Try blind contours!

 

A couple of weeks ago, poet, author and writing teacher Amy Ludwig VanDerwater kindly came by to share her “Drawing into Poems” project.  I’ve been thinking about connections between drawing (slowing down to notice details) and writing (sharing details through words).  So for my monthly poetry column today over at Janice Hardy’s The Other Side of the Story, I talk about all this, with a mini blind contour drawing session to boot.

If any of that sounds interesting to you, I invite you to click on over and share your thoughts!  Happy Creating.

Art Break Wednesday: Terrific Art Springing up – Check Out these Artists!

 

Greetings, Art Friends!

On the home front, I’m zipping between region and state tennis tournaments this week for my youngest, a high school senior and captain of the team. DSC_0036 seth with trophy small  (Blog posts I’ve been planning in my head have yet to materialize, in other words!)

But it’s still Wednesday, so I’d love to share a few links which are sure to delight your eyes.  Click around and enjoy!

First up is Chip Ghignachip ghigna art cropChip is the son of noted children’s poet Charles Ghigna, aka Father Goose.  I’ve been eyeing Chip’s colorful, lively paintings on the Father Goose blog for a while now.

 

Chip is a recent graduate of Auburn University and currently enjoying his first gallery show at the Ellenburg Gallery at the Homewood Public Library, next door in Alabama.  If you’re in that neighborhood, check it out!  If not, please enjoy clicking and scrolling online.

 

Next, you’ll enjoy tooling around the portfolios of Joseph Bradley.  I met Joseph briefly at The Maker’s Summit in Greenville, South Carolina, in February.  joseph bradley art cropHe hails from a neighboring town, Pendleton, and I quickly assessed that his paintings on wood panels have more than a few fans.  Take a look-see and you’ll learn why!  Joseph has just added many new pieces.

Last but not least on our mini gallery tour today is the newest member of my wonderful art critique group, fellow Georgian and the creative force behind Doublefly Design, Leighanne Schneider . leighanne art crop Here’s a link to her fine art site, and she has a treasure trunk full of irresistible offerings at her illustration site.  She doesn’t know this yet – nor do my other art critique group partners in crime – but I do plan to feature each one of them in a proper interview post in coming months.  Forgiveness is easier to get than permission, you know…

Here’s hoping you are surrounded by colorful April flowers – and art! – springing up, and that the pollen is passing you by.  Enjoy creating, and support your friendly local artists. :0)

Thanks for visiting.

Art Break Wednesday: Amy Ludwig VanDerwater’s “Drawing Into Poems” project

 

Hope you are enjoying a Happy Poetry Month!

Today I have a special treat.  Children’s poet and author, sought-after writing teacher, and Poem Farm blog creator Amy Ludwig VanDerwater has embarked on a wonderful project this month that she graciously agreed to let me share here.

Amy LV

Amy LV

Each day in April, Amy has been “Drawing Into Poems” – her daily “drawing/seeing/writing study into poetry.”

“I chose this project because I have always wanted to learn to see better, to understand through seeing, to develop my own sensitivity,” she says in the introductory post here. Logo Amy LV

(Don’t miss the great books she’s listed as resources on that page.  I smiled at a couple of old favorites, THE ZEN OF SEEING by Frederick Franck  and DRAWING ON THE RIGHT SIDE OF THE BRAIN by Betty Edwards.  Others I’m putting on my to-read list.)

 

Here’s a taste of her project.

On April 4th, Amy shared this drawing of a bowl:

Bowl Good 2 Amy LV

On April 5th, she shared a poem inspired by that drawing exercise:

Cupped Hands 3

Don’t you love all those associations?  And such lovely imagery?

a dream / of old coyotes / a dream / of sun-warm deer” makes me swoon.

Another favorite of mine from this project is her cemetery sketch from this past Monday (April 15):

Cemetery Amy LV

I  LOVE the lively composition here – so much life for such a “grave” subject, no?  And what wonderful reflections, such as the winding thought penned above the arched tombstone, “Always… These tombstones remind me… not to worry…

I’m enjoying Amy’s reflections in her blog posts, too.  Here’s an excerpt from this same day:

What places make you feel grateful and reflective?  It is important for all of us to find places where we can find our quiet selves and just think. Cemeteries slow me down and help me remember what matters most to me.  I wish that I could talk with all of the people buried here, learn from them, hear their lessons.”

My mother instilled in me a love of walking through cemeteries, too – sketching, pondering.  Amy’s drawings and words help us appreciate such contemplative moments and places.

At just past the mid-way point of this project, I asked Amy what she’s learned so far.

“Halfway through my month of Drawing into Poems, I see that drawing and writing are even more alike than I had imagined,” she says. “There’s that initial flash of love, followed by circling around and around, trying to make clear outside what you see and deeply feel inside.  I’m studying shadows now, and roof lines, noticing the silhouette of a milk carton and the way our mother cat’s tail curls around her smallest kitten.  I am seeing more because I am looking differently; drawing has opened up another window for me.  I plan to keep drawing in my notebooks even after April is over so as not to lose these new eyes.”

Amy’s poetry appears in many publications and acclaimed anthologies.  Her first collection for children was released this spring by Clarion Books – FOREST HAS A SONG, illustrated by Robbin Gourley.  Led by a girl in spunky red boots, readers FOREST COVERexplore the woods in 26 poems.  From “Song”:

Under giant pines / I hear / a forest chorus / crisp and clear.

Singing its praises are the most respected names in the field of children’s poetry as well as teachers in the trenches.  You might also be interested in seeing the art for this book develop – Amy includes a page on her website which chronicles Robbin Gourley’s beautiful illustrations as they progressed.

Now, I know you want to click over to Amy’s blog and check out all the art and reflections thus far this month.  And aren’t you thankful we still have a couple more weeks to go in April? :0)

Gracious thanks to Amy for visiting today and sharing her inspiring work!

Art Break Wednesday – Hyewon Yum

with Hyewon Yum and Ladybug 2013 kaigler crop

Robyn with Hyewon Yum at the 2013 Fay B. Kaigler Children’s Book Festival

Waving howdy from the Fay B. Kaigler Children’s Book Festival in Hattiesburg, MS!

I’m on a poetry panel here with Irene Latham and April Halprin Wayland, as we present a workshop called “Take 5 – Create Fun with the Poetry Friday Anthology.” (I mentioned on my author blog here.)

Also on my author blog a few months ago, I featured an illustration from Hyewon Yum.  I was thrilled because she illustrated a poem of mine in the Nov./Dec. 2012 issue of Ladybug.  (Here’s my post about all that.) Yum is an acclaimed author/illustrator of many books including: MOM, IT’S MY FIRST DAY OF KINDERGARTEN (2012), THE TWINS’ BLANKET (2011), THERE ARE NO SCARY WOLVES (2010), and LAST NIGHT (2008) all from Farrar, Straus and Giroux. More books are soon to hit the shelves, which she either illustrated or wrote and illustrated.

I was extra-thrilled to discover last month that she won the Ezra Jack Keats New Illustrator Award, presented at this festival!  Here’s her blog post about that.

She kindly permitted me to post her artwork for my poem in December, so I’d like to share it here with you to day as I’m wishing her hearty congratulations on her new award.

fox-final and LADYBUG collage

This is a linoleum cut print, and, being a print fanatic, I just love it.

Many thanks to Hyewon for sharing her artwork, and to The LADYBUG/Carus folks for granting permission to share my poem online.

GRAY FOX

by Robyn Hood Black

At the edge of winter,
at the edge of the wood,
at the edge of the brush,
a gray fox stood.

I took a small step,
I took a breath in –
then nothing was there
where the gray fox had been.

© 2012 by Carus Publishing

If you’re an educator, click here for a link to the LADYBUG Teacher’s Guide for this issue.

The future of children’s book illustration looks to be in good hands!

Art Break Wednesday – Poetry Month, Austin Kleon, Found Poems

poetry-month-2013-logo

Happy Poetry Month!  Because I’m a poet as well as a visual artist, I especially love April.

About this time last year, with a couple of Atlanta writing buds,  I got to hear and meet New York Times bestselling author Austin Kleon.  Sponsored by the Georgia Center for the Book, he spoke at the DeKalb County Public Library about his book, STEAL LIKE AN ARTIST – 10 Things Nobody Told You About Being Creative.  Ready for more black and white graphics?

StealLikeAnArtist

You might know writer and artist Kleon from his 2010 NEWSPAPER BLACKOUT:

cover-375-245x367 newspaper blackout austin kleon

dedication page Austin Kleon 2012 RHB(I was happy that he signed both of my books with his signature arrow-through-the-head image.)

 

Do click over to his blog to check out his work.  He’s a warm, funny, engaging speaker addressing creativity in the digital age.  He’s also a new dad (awwwww…!) and presents common sense ideas about creating in uncommonly understandable terms.

Robyn with Austin Kleon 4 2012

 

 

He’s spoken to audiences at Pixar, Google, and The Economist, to name a few organizations.  Intrigued?  Check out his TEDx Talk.  His work has been featured on NPR’s Morning Edition, PBS Newshour, and in The New York Times and The Wall Street Journal.

One of my favorite things about his books is the introduction to NEWSPAPER BLACKOUT.  The book contains dozens of “redacted” poems created with a permanent marker and newspaper articles.  You’ll have to check out his blog to see examples!  Anyway, in the intro, Kleon gives us an abbreviated history of this type of poetry – stretching back more than 250 years!  As a lover of found poetry (my first publications in an anthology came in THE ARROW FINDS ITS MARK – A Book of Found Poems  edited by Georgia Heard and illustrated by Antonie Gullioppé, Roaring Brook Press, 2012), I was hooked on this surprisingly rich history as well as on the poems.  Why not try some yourself?

The few found poem collages I’ve made for my art business and my Etsy shop have found buyers these past few months (Yay!  Thanks, Buyers!), so I’m conjuring up some more.  Here’s a peek at one just done – when the glue finishes drying (!) I’ll take some real photos and list it tomorrow.  I always start with a real page from a vintage book.  This one is from p. 47 of A LITERARY PILGRIMAGE, Seventh Edition, by Dr. Theodore F. Wolfe, J. B. Lippincott Company, Philadelphia: 1896.  (Such a lovely laid texture on those pages!)  I use the real page but photocopy it to work out the found poem before I paint over the original text with gouache, leaving only the bits I want for the poem unpainted.

discarded stanzas in process RHB

Once the poem emerges and the paint dries, I attach to a prepared substrate (background surface I’ve already painted – Canson matboard in this case) and embellish with vintage metal elements.  I’ve been waiting for just the right piece to use this twisted black piece on (from an Eastern European Etsy dealer!) – it reminds me of a figure, specifically, a Kokopelli type figure playing his flute.  A prankster and storyteller, I think of him as a poet, too, and he seemed to fit here beside the “preface” line of “footsteps lightly print the ground.” – a line from Thomas Gray on this page.

discarded stanzas image adj RHBWritten out, the found poem would look like this:

Discarded Stanzas

the poet’s footsteps lightly print the ground

what was

the transcending quality of

such stanzas

divinest poetry

of a noble soul

on which

bereft mortals meditate

on the way to

darkness

discarded stanzas framed RHB

For a look at my process making another found poem collage, click here.

Thanks for stopping by, and wishing you a month full of art AND poetry!

(Thurs. Update – Listed this new found poem collage in my Etsy shop.) :0)