Art Break Wednesday: NEW “Book Nerd” Gift Pack

Posted on July 31, 2013 by artsyletters

Greetings, Book, Letter, and Art Lovers! Do you have a special bibliophile in your life?

As a new school year looms, I’ve got books, books, books on the brain. How much does my family love books? We are beginning to process of gradually relocating (more on that later), and pretty much the first things my husband has packed are boxes of books. We need to donate some from our teetering stash, but how to decide? I’m putting some of my zillions of children’s books aside for our oldest, who will be teaching young readers just two years from now (after she graduates and then completes her masters.) We’ve already given our youngest some books to take to college, as if he won’t get enough there!

Well, if you know someone who can’t resist the turn of a page, the crisp smell of the latest bestseller or the musty aroma of a time-tested classic, the heft and weight of words in hands – all stitched up in a glorious volume of board, cloth, paper and ink – I’ve come up with a new gift package that might suit.

First, a package of “Book Nerd” note cards. I made the original design for these with my little book relief print carving and hand-stamped the words “BoOk NeRD” with vintage metal letterpress type, all on torn paper. (The notecard reproductions suggest this texture, but are completely flat.)

These come in packs of eight cards, printed on premium cardstock from environmentally sustainable forests with gloss coating on the outside. White envelopes are included. (Packaged in clear, archival 2 ml polypropylene.)

Next is – what else? A bookmark! This design was made with the same vintage metal letterpress type, and features a black relief print border. It’s printed on premium cardstock from sustainable forests with a gloss coating, finished with a black ribbon and an antique brass-colored cord crimp. It’s packaged in a cello sleeve.

Finally, who couldn’t use a fun magnet to keep track of all those reading lists? A smaller image of the book design and stamped letters, printed on premium cardstock, is cut with a deckle edge and layered on a like-wise deckle-edged piece of copper cardstock. These are collaged onto a 2″ X 2″ canvas board (painted black) and covered with acrylic gloss. A strong 3/4″ magnet is secured to the back.

Each item is sold individually (just click on each picture if interested, and you’ll zoom over to the appropriate listing in my Etsy shop), but I’m offering a little bit of a break and a fun presentation for the whole bundle. The cards, bookmark, and magnet, each wrapped in its own clear packaging, are placed in a clear cello bag with gold woven tissue. Gold and black raffia tie up the nerdy ensemble.

Wishing you and yours a happy August. I’ll be in and out of town, and working like crazy to stock up for the Decatur Book Festival street fair at the end of the month, so I’m declaring myself an honorary European and will take some of the month off re. blogging. But only a couple of weeks – I’ll see you back here before the festival!

Art Break Wednes…- um, Thursday: Hashtag Classic Authors!

Posted on June 27, 2013 by artsyletters

(Sorry for the day’s delay – summertime, you know….)

What if classic authors had used social media? I’ve had some fun with this idea creating the start to a series of new works using vintage “Authors” playing cards.

For instance, perhaps the Bard, while penning Romeo and Juliet, would have dubbed himself @mymindmisgives and sent a little message to @dearestjuliet – “Stony limits cannot hold love out” – with the hashtag #hanginginthestars.

Okay, I’ve been having fun playing with vintage metal letterpress type, too.

I’m making 8 X 8 shadow box frame versions like the one above, and, in a smaller image at a smaller price point, a matted 8 X 8 option with mini-versions of these vintage cards. Like this:

Here we have Charles Dickens, in the midst of David Copperfield. Hence the reference to himself as @trueastaxes, the quote, “Trifles make the sum of life,” and the hashtag #umblepie. (That’s bona fide “umble,” not “humble.”)

You get the idea. In my Etsy shop I’ve got a couple of the framed versions and three of the matted pieces. I’ll add more as I make them and want to have a nice selection of these (and lots of literary art) for my booth the 2013 Decatur Book Festival coming up Labor Day Weekend.

For these “hashtag classic authors,” I’m only using phrases lifted from their direct quotations and works. I hope they would get a kick out of them if they time-travelled to our fast-paced, social-media-driven lives. To see this section in my Etsy shop, click here. Enjoy, and thanks for visiting!

Art Break Wednesday: Trademark!

Posted on June 19, 2013 by artsyletters

certif fancy background with trademark letter

Nice surprise in the mail this week: I’m the proud owner of a new trademark!

A business name does not have to be registered as a trademark, of course. But I wanted to give it a try. My experience was fairly fast and painless as these things go.

When contemplating starting an art business and Etsy shop last spring, I came up with lots of brilliant business names. Only to find online that other folks had come up with said brilliant names long before I. When “artsyletters” meandered into my mind, I was happy to discover I couldn’t find it online. First stop: website domain. Then I opened an Etsy shop with the name, though I wouldn’t add any items to it for a few more months. I got a Facebook page, Twitter account and Pinterest account using it. (Plus a few other social media outlets that I haven’t really set up yet.)

It’s somewhat easier/cheaper to get a trademark if the name is already in use by you in commerce. So I made some sales starting in late summer last year, stocking my Etsy shop and hitting some art shows in the fall. I put my name/logo on all my products and had a banner made for my show tent. Now I was ready to apply for a trademark. Watching the budget, I opted for LegalZoom.

My eyes tend to glaze over with legal-ese, but I was (pretty much) able to figure out the forms. When I had questions, the LegalZoom folks responded in emails or when I called. I decided to apply in an already existing category (International Class 16) that most closely matched what I’m producing, even though I don’t make all of the items in that class (um, pressed flowers?).

They conducted an initial search. This search brings up names of businesses which might cause confusion for consumers, and therefore might keep you from being able to trademark your chosen name. After these results, I opted to upgrade my membership so I could speak with an attorney by phone for 30 minutes before sallying forth. (You can upgrade without any kind of lengthy contract – in my case I did for the first couple-few months of the process so I’d have access to an attorney appointment at a very reduced rate.)

The person I spoke with was very clear, professional, and friendly. He pointed out one other existing business name which might give the USPTO pause when considering mine, because the category of products was similar. He said he thought I had at least a 50/50 chance of getting through the first time, though. With those precarious odds and crossed fingers, I decided to proceed. I filed in October, I believe.

To my delight, my business name was published in the USPTO Trademark Official Gazette in March after its initial review. This means it was “published for opposition.” Well, let me let the USPTO explain it:

If the examining attorney raises no objections to registration, or if the
applicant overcomes all objections, the examining attorney will approve the mark
for publication in the Official Gazette, a weekly publication of the
USPTO. The USPTO will send a notice of publication to the applicant stating the
date of publication. After the mark is published in the Official
Gazette, any party who believes it may be damaged by registration of the
mark has thirty (30) days from the publication date to file either an opposition
to registration or a request to extend the time to oppose.

I never discovered any objections, and I got the lovely certificate above in the mail this week. The entire process can take from six months to a year, and in some cases, longer. I was happy to enjoy pretty smooth sailing for mine. The whole process cost me somewhere in the neighborhood of $500, with the very modestly priced phone consultation tacked onto the registration fees.

If you decide to pursue it for your business, be prepared for some other interesting mail to come your way. I’ve had several letters from entities whose return addresses are countries in Eastern Europe, claiming to offer international “filing” or “registration” of my US trademark, all for say, a few thousand dollars. I love the fine-print disclaimer that came in one yesterday: “...please notice that this registration has not any connection with the publication of official registrations, and is not a registration by a government organization….” – yet the “fee” was $2327.00. (!)

Please also note that this little ramble in absolutely no way whatsoever constitutes any sort of legal advice, which I am unabashedly unqualified to dole out. (Also, no animals were harmed in the composition of this blog post.) But I wanted to share this little piece of my journey for other indie artists/interested folks out there. Thanks for coming along!

Art Break Wednesday: Ann Goble’s Fine Art

Posted on June 12, 2013 by artsyletters

Today I have a special treat – for me and for you!

First, I get to meet my friend Ann Goble for lunch. We try to do this every once in a while – not nearly enough! Ann has been a dear friend for many years, as we’ve both raised our kids and pursued creative careers as well. Our sons just graduated, but I know our friendship will long continue.

Now the treat for you – I thought I’d share a bit of Ann’s work here to brighten your day. I’ll have her back for a real interview soon, but I wanted to whet your appetite. 21096_805145ss ann b w head shot

Ann began seriously painting in1999. She has studied under renowned painters including Roseta Santiago, David Leffel, Gregg Kreutz and Marc Chatov. Her work has garnered numerous awards and hangs in galleries and private collections.

Her paintings are breathtaking. Here are some of my favorites:

Ann begins her artist’s statement, “Painting is for me a search for beauty.” I think you’ll agree she’s found it! You can learn more about Ann and see additional paintings here.

But wait – there’s more! Ann’s mother, Ruth I. Money, is also an accomplished painter. (You know, the apple doesn’t fall…) Ruth and Ann have exhibited their paintings in the same shows before, and if you happen to live in north Georgia, you can see an exhibit celebrating both their careers. “Mothers and Daughters” runs until July 19 at The Bowen Center for the Arts. Click here for more info, directions, and images of paintings – and feel free to leave some love in the comments below.

Art Break Wednesday: Uri Shulevitz’s WRITING WITH PICTURES

Posted on May 8, 2013 by artsyletters

images WRITING WITH PICTURES cover

If I had to clear out my shelves and give up all but one book about illustrating children’s books, I’d keep Uri Shulevitz’s classic, WRITING WITH PICTURES – How to Write and Illustrate Children’s Books (Watson-Guptill Publications). I have the bona fide 1985 version, which includes chapters on color separation – a process unknown to young illustrators today, I’m sure!

I revisited this wonderful volume this past week because I had to list a favorite quote for a blog interview appearing today at Check It Out. I snuck in two quotes – one on haiku writing and one for art, the Uri Shulevitz quote I have literally written on my wall above my drawing table:

Give up the idea of the perfect flawless picture, and aim for one that is alive instead.

The book contains hundreds of examples of illustration that is alive, mostly Shulevitz’s own work but also work by other artists, including many classics. Shulevitz won the Caldecott medal in 1969 for Arthur Ransome’s retelling of THE FOOL AND HIS FLYING SHIP and a Caldecott honor in 1980 for THE TREASURE. Born in 1935 in Warsaw, the young Shulevitz and his family fled from Poland during World War II. He lived in France and Israel before settling in New York to work and teach.

WRITING WITH PICTURES delves into what makes a story with a complete action as well as the finer points of drawing technique, style, and composition. It includes the best examples I know about creating a storyboard and dummy. For a taste, here is an excerpt from the book as tutorial on the site, Mighty Art Demos, which says the tutorial is reproduced with permission from the publisher. While this is a pretty thorough excerpt, I’d still encourage anyone to purchase the book, chock-full of clear explanations and insights about the process from beginning to end. Here are a few more quotes, to give you an idea:

A picture book is closer to theater and film, silent films in particular, than to other kinds of books. It is a unique type of book. (p. 16)

For a story to succeed, the reader must be engrossed in each successive moment of the story and must care about what happens next, or at least be curious enough to want to know. (p. 41)

Outstanding illustrations are effective on at least two levels. First, they tell us the story, portraying the subject matter accurately; and second, the abstract pattern of the picture is alive in its own right, with an underlying geometric structure that gives character and strength to the forms. (p. 129)

Great stuff, no? I have other books on illustration that I treasure, but this one captured me early on and still rings true. Do you have any favorites?

Art Break Wednesday: Terrific Art Springing up – Check Out these Artists!

Posted on April 24, 2013 by artsyletters

Greetings, Art Friends!

On the home front, I’m zipping between region and state tennis tournaments this week for my youngest, a high school senior and captain of the team. DSC_0036 seth with trophy small (Blog posts I’ve been planning in my head have yet to materialize, in other words!)

But it’s still Wednesday, so I’d love to share a few links which are sure to delight your eyes. Click around and enjoy!

First up is Chip Ghigna. chip ghigna art crop Chip is the son of noted children’s poet Charles Ghigna, aka Father Goose. I’ve been eyeing Chip’s colorful, lively paintings on the Father Goose blog for a while now.

Chip is a recent graduate of Auburn University and currently enjoying his first gallery show at the Ellenburg Gallery at the Homewood Public Library, next door in Alabama. If you’re in that neighborhood, check it out! If not, please enjoy clicking and scrolling online.

Next, you’ll enjoy tooling around the portfolios of Joseph Bradley. I met Joseph briefly at The Maker’s Summit in Greenville, South Carolina, in February. joseph bradley art crop He hails from a neighboring town, Pendleton, and I quickly assessed that his paintings on wood panels have more than a few fans. Take a look-see and you’ll learn why! Joseph has just added many new pieces.

Last but not least on our mini gallery tour today is the newest member of my wonderful art critique group, fellow Georgian and the creative force behind Doublefly Design, Leighanne Schneider . leighanne art crop Here’s a link to her fine art site, and she has a treasure trunk full of irresistible offerings at her illustration site. She doesn’t know this yet – nor do my other art critique group partners in crime – but I do plan to feature each one of them in a proper interview post in coming months. Forgiveness is easier to get than permission, you know…

Here’s hoping you are surrounded by colorful April flowers – and art! – springing up, and that the pollen is passing you by. Enjoy creating, and support your friendly local artists. :0)

Thanks for visiting.

Art Break Wednesday: Amy Ludwig VanDerwater’s “Drawing Into Poems” project

Posted on April 17, 2013 by artsyletters

Hope you are enjoying a Happy Poetry Month!

Today I have a special treat. Children’s poet and author, sought-after writing teacher, and Poem Farm blog creator Amy Ludwig VanDerwater has embarked on a wonderful project this month that she graciously agreed to let me share here.

Amy LV

Each day in April, Amy has been “Drawing Into Poems” – her daily “drawing/seeing/writing study into poetry.”

“I chose this project because I have always wanted to learn to see better, to understand through seeing, to develop my own sensitivity,” she says in the introductory post here.

(Don’t miss the great books she’s listed as resources on that page. I smiled at a couple of old favorites, THE ZEN OF SEEING by Frederick Franck and DRAWING ON THE RIGHT SIDE OF THE BRAIN by Betty Edwards. Others I’m putting on my to-read list.)

Here’s a taste of her project.

On April 4^th, Amy shared this drawing of a bowl:

Bowl Good 2 Amy LV

On April 5^th, she shared a poem inspired by that drawing exercise:

Cupped Hands 3

Don’t you love all those associations? And such lovely imagery?

“a dream / of old coyotes / a dream / of sun-warm deer” makes me swoon.

Another favorite of mine from this project is her cemetery sketch from this past Monday (April 15):

Cemetery Amy LV

I LOVE the lively composition here – so much life for such a “grave” subject, no? And what wonderful reflections, such as the winding thought penned above the arched tombstone, “Always… These tombstones remind me… not to worry…”

I’m enjoying Amy’s reflections in her blog posts, too. Here’s an excerpt from this same day:

“What places make you feel grateful and reflective? It is important for all of us to find places where we can find our quiet selves and just think. Cemeteries slow me down and help me remember what matters most to me. I wish that I could talk with all of the people buried here, learn from them, hear their lessons.”

My mother instilled in me a love of walking through cemeteries, too – sketching, pondering. Amy’s drawings and words help us appreciate such contemplative moments and places.

At just past the mid-way point of this project, I asked Amy what she’s learned so far.

“Halfway through my month of Drawing into Poems, I see that drawing and writing are even more alike than I had imagined,” she says. “There’s that initial flash of love, followed by circling around and around, trying to make clear outside what you see and deeply feel inside. I’m studying shadows now, and roof lines, noticing the silhouette of a milk carton and the way our mother cat’s tail curls around her smallest kitten. I am seeing more because I am looking differently; drawing has opened up another window for me. I plan to keep drawing in my notebooks even after April is over so as not to lose these new eyes.”

Amy’s poetry appears in many publications and acclaimed anthologies. Her first collection for children was released this spring by Clarion Books – FOREST HAS A SONG, illustrated by Robbin Gourley. Led by a girl in spunky red boots, readers FOREST COVER explore the woods in 26 poems. From “Song”:

Under giant pines / I hear / a forest chorus / crisp and clear.

Singing its praises are the most respected names in the field of children’s poetry as well as teachers in the trenches. You might also be interested in seeing the art for this book develop – Amy includes a page on her website which chronicles Robbin Gourley’s beautiful illustrations as they progressed.

Now, I know you want to click over to Amy’s blog and check out all the art and reflections thus far this month. And aren’t you thankful we still have a couple more weeks to go in April? :0)

Gracious thanks to Amy for visiting today and sharing her inspiring work!

Art Break Wednesday – Hyewon Yum

Posted on April 10, 2013 by artsyletters

with Hyewon Yum and Ladybug 2013 kaigler crop

Robyn with Hyewon Yum at the 2013 Fay B. Kaigler Children’s Book Festival

Waving howdy from the Fay B. Kaigler Children’s Book Festival in Hattiesburg, MS!

I’m on a poetry panel here with Irene Latham and April Halprin Wayland, as we present a workshop called “Take 5 – Create Fun with the Poetry Friday Anthology.” (I mentioned on my author blog here.)

Also on my author blog a few months ago, I featured an illustration from Hyewon Yum. I was thrilled because she illustrated a poem of mine in the Nov./Dec. 2012 issue of Ladybug. (Here’s my post about all that.) Yum is an acclaimed author/illustrator of many books including: MOM, IT’S MY FIRST DAY OF KINDERGARTEN (2012), THE TWINS’ BLANKET (2011), THERE ARE NO SCARY WOLVES (2010), and LAST NIGHT (2008) all from Farrar, Straus and Giroux. More books are soon to hit the shelves, which she either illustrated or wrote and illustrated.

I was extra-thrilled to discover last month that she won the Ezra Jack Keats New Illustrator Award, presented at this festival! Here’s her blog post about that.

She kindly permitted me to post her artwork for my poem in December, so I’d like to share it here with you to day as I’m wishing her hearty congratulations on her new award.

fox-final and LADYBUG collage

This is a linoleum cut print, and, being a print fanatic, I just love it.

Many thanks to Hyewon for sharing her artwork, and to The LADYBUG/Carus folks for granting permission to share my poem online.

GRAY FOX

by Robyn Hood Black

At the edge of winter,
at the edge of the wood,
at the edge of the brush,
a gray fox stood.

I took a small step,
I took a breath in –
then nothing was there
where the gray fox had been.

If you’re an educator, click here for a link to the LADYBUG Teacher’s Guide for this issue.

The future of children’s book illustration looks to be in good hands!

Art Break Wednesday – Poetry Month, Austin Kleon, Found Poems

Posted on April 3, 2013 by artsyletters

Happy Poetry Month! Because I’m a poet as well as a visual artist, I especially love April.

About this time last year, with a couple of Atlanta writing buds, I got to hear and meet New York Times bestselling author Austin Kleon. Sponsored by the Georgia Center for the Book, he spoke at the DeKalb County Public Library about his book, STEAL LIKE AN ARTIST – 10 Things Nobody Told You About Being Creative. Ready for more black and white graphics?

StealLikeAnArtist

You might know writer and artist Kleon from his 2010 NEWSPAPER BLACKOUT:

dedication page Austin Kleon 2012 RHB (I was happy that he signed both of my books with his signature arrow-through-the-head image.)

Do click over to his blog to check out his work. He’s a warm, funny, engaging speaker addressing creativity in the digital age. He’s also a new dad (awwwww…!) and presents common sense ideas about creating in uncommonly understandable terms.

Robyn with Austin Kleon 4 2012

He’s spoken to audiences at Pixar, Google, and The Economist, to name a few organizations. Intrigued? Check out his TEDx Talk. His work has been featured on NPR’s Morning Edition, PBS Newshour, and in The New York Times and The Wall Street Journal.

One of my favorite things about his books is the introduction to NEWSPAPER BLACKOUT. The book contains dozens of “redacted” poems created with a permanent marker and newspaper articles. You’ll have to check out his blog to see examples! Anyway, in the intro, Kleon gives us an abbreviated history of this type of poetry – stretching back more than 250 years! As a lover of found poetry (my first publications in an anthology came in THE ARROW FINDS ITS MARK – A Book of Found Poems edited by Georgia Heard and illustrated by Antonie Gullioppé, Roaring Brook Press, 2012), I was hooked on this surprisingly rich history as well as on the poems. Why not try some yourself?

The few found poem collages I’ve made for my art business and my Etsy shop have found buyers these past few months (Yay! Thanks, Buyers!), so I’m conjuring up some more. Here’s a peek at one just done – when the glue finishes drying (!) I’ll take some real photos and list it tomorrow. I always start with a real page from a vintage book. This one is from p. 47 of A LITERARY PILGRIMAGE, Seventh Edition, by Dr. Theodore F. Wolfe, J. B. Lippincott Company, Philadelphia: 1896. (Such a lovely laid texture on those pages!) I use the real page but photocopy it to work out the found poem before I paint over the original text with gouache, leaving only the bits I want for the poem unpainted.

discarded stanzas in process RHB

Once the poem emerges and the paint dries, I attach to a prepared substrate (background surface I’ve already painted – Canson matboard in this case) and embellish with vintage metal elements. I’ve been waiting for just the right piece to use this twisted black piece on (from an Eastern European Etsy dealer!) – it reminds me of a figure, specifically, a Kokopelli type figure playing his flute. A prankster and storyteller, I think of him as a poet, too, and he seemed to fit here beside the “preface” line of “footsteps lightly print the ground.” – a line from Thomas Gray on this page.

discarded stanzas image adj RHB Written out, the found poem would look like this:

Discarded Stanzas

the poet’s footsteps lightly print the ground

what was

the transcending quality of

such stanzas

divinest poetry

of a noble soul

on which

bereft mortals meditate

on the way to

darkness

discarded stanzas framed RHB

For a look at my process making another found poem collage, click here.

Thanks for stopping by, and wishing you a month full of art AND poetry!

(Thurs. Update – Listed this new found poem collage in my Etsy shop.) :0)

Art Break Wednesday: Enjoy Meandering through these Great Links!

Posted on March 27, 2013 by artsyletters

Yay Images

That good old Road Less Traveled can lead to some wonderful surprises and delights! I’m always coming across art-related links I’d like to share, so today I have a meandering kind of assortment for your enjoyment. (Some I’ve mentioned before and others are new here.) Click on whatever tickles your fancy:

Like reading about artists and discovering new original work? Check out Jama Rattigan’s Alphabet Soup blog for her brand new series this year spotlighting indie artists.

First you’ll meet Kari Van Gelder, Mandy Troxel, and Amy Lum of Bossy’s Feltworks. (You’ll have to click on the feature to learn how that business name came about!) You’ll also meet some adorable fuzzy characters you just might not be able to live without.

Then, enjoy the miniature sculpted delicacies of Stéphanie Kilgast of PetitPlat. You won’t believe your eyes!

If you love printmaking as much as I do, check out the website for printmaker and illustrator Holly Meade and her Reach Road Gallery.

Her bold and lively work can be found in a trio of books by David Elliott – On the Farm, In the Sea, and one of my favorites, In the Wild.

Is photography your thing?

My author friend Sarah C. Campbell has a terrific website with lots of great info about how she and husband Richard created photographs for her award-winning nonfiction books for young readers. Here is a great little video interview with Richard about making the pictures for Growing Patterns.

Lettering fan, you say?

Take a peek inside the wonderful print journals offered by the amazing folks at John Neal Bookseller, Letter Arts Review and Bound and Lettered. (Scroll down to click on sample issues.)

Are you mad for mixed media?

Check out Pam Carriker’s inspiring blog and website. Her second book is now available for pre-order, Creating Art at the Speed of Life.

Then be sure and enjoy all the layers at Seth Apter’s amazing blog, The Altered Page. If you really want to get lost, start clicking through the hundreds of art blogs he’s painstakingly compiled in his Art Blog Directory!

Getting serious about launching, or growing, your art business?

Yay Images

Beth Rommel pointed me to this first one:

The Art Biz Blog by Alyson B Stanfield. All kinds of great resources for those doing this for a living!

The Etsy blogs are a terrific resource for art business entrepreneurs. Here’s an article from yesterday about what kind of business structure to choose.

Interested in illustrating for the children’s market?

Check out the expansive website and blog of my author and illustrator friend Elizabeth Dulemba, with this page of helpful links.

Finally, for the art history buffs and gallery geeks among us – have you seen this?

MetPublications is “a portal to the Met’s comprehensive book and online publishing program with close to 700 titles published from 1964 to the present…

MetPublications includes a description and table of contents for most titles, as well as information about the authors, reviews, awards, and links to related Met titles by author and by theme. Current titles that are in-print may be previewed and fully searched online, with a link to purchase the book. The full contents of almost all other titles may be read online, searched, or downloaded as a PDF. Many of these out-of-print books will be available for purchase, when rights permit, through print-on-demand capabilities in association with Yale University Press.”

Oh, my. If I go missing, I have likely gotten lost in these amazing publications. Please send a search party.

Let me know if you’d like to do this again sometime – there are plenty of wonderful trails to explore, and you might even have a favorite to share, too!

artsyletters.com

Literary Art with a Vintage Vibe

Category Archives: Art Break Wednesday